Carnegie Medals: In which I (almost) make a literary prize reading deadline

[gallery type="slideshow" ids="1576,1575,1574,1573,1571,1572"] Every year when the shortlists for various literary prizes -- Booker, Pulitzer, National Book Award -- are announced, I think hey wouldn't it be cool to read all the finalists and compare my judgment with the judges? But I never do. This year, however, I had no excuse when the finalists were announced for the Carnegie Medals for Excellence in Fiction and Nonfiction. This is the second year for this prize, given by the American Library Association -- and I would be attending the annual conference in Chicago. I bought tickets to the ceremony and started reading -- there were only six books total, three fiction and three nonfiction.

Neither of my top choices -- The Round House by Louise Erdrich and The Mansion of Happiness by Jill Lepore (with a serious caveat I'll get to below) -- were the ones chosen by the judges. The winners were Canada by Richard Ford and Short Nights of the Shadow Catcher by Timothy Egan. All six were excellent reads; I highly recommend them and I'm glad I did this. I'll probably do it again next year. And then maybe take on another project: reading the winners of the various big contests and comparing them to each other.

A couple things I learned along the way:

* I've been neglecting my literary fiction -- for the last couple years I've been on an extended genre jag. Which is cool ... but means I'm missing out on some great books. It was good to have a reason to read some of the best current fiction. Canada was probably my least favorite of the three but it was an absorbing, if grim, read. It did feature a few fantastic lines like this one about spending the day at the movies in Mississippi:

"We'd emerge at four out of the cool, back into the hot, salty, breathless Gulf Coast afternoon, sun-blind and queasy and speechless from wasting the day with nothing to show for it."

And that is EXACTLY what it's like after you go to the early show at the Regal.

* After reading This is How You Lose Her, I didn't at all buy the argument that it was misogynistic or otherwise hostile towards women -- if anything, Junot Diaz goes out of his way to show what an idiot Yunior is for repeatedly screwing up relationships with smart, cool women. Hence, the title.

* I liked Spillover and I feel kind of guilty for it not being my favorite in the nonfiction category -- in fact, it was probably my least favorite of the three -- but I'd just like to take the opportunity here to say that David Quammen is an amazing science writer for nonscientists and if you haven't read The Song of the Dodo, his masterpiece about island biogeography, go do it RIGHT NOW. It's one of the books I'd grab if my house were on fire. Seriously.

* There wasn't a theme at all to the choices, but the fiction titles were all coming of age stories, which is interesting since Erdrich and Ford are in the double digits, bookwise. And even more interesting, all three were celebrations of geekdom -- Canada's young hero is seriously into beekeeping, Yunior is a comics geek and Joe and his buddies in The Round House are obsessed with Star Trek: The Next Generation. I liked that about all of them.

* The Mansion of Happiness was the easiest going down of the nonfiction titles and I was glad to see it here since it didn't seem to make a lot of other year's best lists, and I admire and respect Jill Lepore as one of those top-notch academics who writes for humans (she's a Harvard professor AND a New Yorker staff writer). But the book felt more like a compilation of great New Yorker pieces than a cohesive book. I'd already read most of them in the magazine and I still enjoyed reading them again -- it was full of fun facts about board games and attitudes toward breast-feeding (like the book called Spiritual Milk for Boston Babes, Drawn out of the Breasts of Both Testaments, published in 1646), the history of library children's rooms and the publication of Stuart Little, sex education and eugenics (including the fact that the guy behind the Ladies' Home Journal column "Can This Marriage Be Saved" was a hardcore eugenicist. Lovely).

* This little project helped clarify for me the role of ebooks and ereaders in my life. Obviously they're great for immediate gratification and convenience and I have no intention of giving them up. But I think I'll try to limit my use of them on my genre reading, which is really focused on plot and character, and not for nonfiction and literary fiction, where I need to focused in a different way. I bought Short Nights of the Shadow Catcher as an ebook shortly after it came out -- but when it came to reading it, I had a difficult time. Which also could have been due to other events in my life at the time. I didn't finish it before the awards ceremony, which made me feel bad -- I was so close to actually meeting my deadline. But I bought a couple print copies at ALA -- they were reduced price! And we didn't have it in the library collection! -- and found my reading was much easier when I switched formats. This is not a judgment on the quality or value of different types of books -- just an observation of my own reading experience. And means, as I had suspected and hoped, that there will be a continuing role for print for many of us even as ereaders and ebooks find their place in what one marketing dude at ALA called "the reading ecosystem."

Happy Banned Books Week!

Banned Books Week is here -- an issue about which the American Library Association likes to make a big honking deal every year -- and with it will come, predictably, a bunch of people pointing out that censorship is not quite the issue here in the U.S.A. as it was in, say, Soviet Russia. This issue is already being debated on our library's website (check the comments on the linked post). And while it's true, the event would be more accurately if less alliterativey called Challenged Books Week, and it's true most challenges come from individuals concerned about what their kids are reading, not government agencies trying to keep information from the populace, I'm still OK with the American Library Association making a big deal out of this and getting some press and attention to the issue of freedom of information.

The reason I am OK with it is that they brainwashed me at the ALA conference in DC back in June. No, wait. I wasn't supposed to say that! The REAL reason I am OK with it is that the First Amendment is an important one, foundation of our democracy and all that, and having a large influential organization that is hard core in defense of it is, in my opinion, a Good Thing. Would democracy be eroded if fewer youngsters had access to And Tango Makes Three, the gay penguin book that has been high on the list in recent years? Not really. Do I want to live in a country where the most uptight parents decide what books are available in the public library? Or a country where nothing that could possibly offend anyone is available in print? Definitely not.

Besides, I've always loathed the argument that because something is available it is being forced upon you. It's like when people complain about what's on TV. OK ... then STOP WATCHING. Unless you're being tied down, Clockwork Orange-style, with your eyelids pried open, I don't see what the problem is.

Speaking of "Clockwork Orange," that is in my personal Top Three of the most disturbing movies I've ever seen* and I don't ever want to see it again. But do I think it should be banned? Nope. Am I sorry I saw it? Not really. Isn't it good for us to be disturbed, to have our feathers ruffled, to think about things that are nasty or upsetting? Not full time, naturally, and I've been known to run for the Jane Austen/Georgette Heyer comfort read in a second after upsetting experiences. But dictating what others can read/view based on personal preference or worldview is no way to run a library, or a free country.

I was schooled as a First Amendment zealot by working as a newspaper reporter -- and that's another reason ALA's role is crucial. These days, with newspapers facing a vastly diminished role in public life, SOMEBODY has to step up and be the First Amendment hardliners. So why not ALA and librarians in general? Happy Banned Books Week!

* The other two, if you really must know, are "The Cook, The Thief, His Wife and Her Lover" and "Breaking the Waves." And "Blue Velvet" finishes just out of the money but I have no plans to see that one again in this lifetime, either. All this is making me wonder: in these times of high-circulation DVDs, do those titles get challenged? Because a lot of the movies are WAY more violent and disturbing than most of the books. But Banned Media Resources Week just doesn' t have the same ring to it, does it?

A report from Library Land

I recently attended the American Library Association annual conference in Washington, D.C. -- the mother of all library conferences. According to an ALA news release, there were 19,513 attendees -- and I believe it. The gathering was so huge that I knew my college housemate was there -- and never saw her once in three days (she is a university library dean and operates on a whole different level of librarianship). What did I learn? For one thing, from the moment I stepped into the Convention Center to pick up my registration packet, I realized this was my tribe. Everyone looked a little familiar, even though I didn't know any of them. This conference was one of the first times I've felt real regret for not going into this field earlier in my career -- even though I value everything I learned from journalism and other jobs.

It was an exceptionally well-organized conference, which I suppose comes from having these down after all these years. Everything was in the room specified, at the time specified. Events started on time and did not run over their allotted time. A lot of conferences could take a few lessons. For me, it was a nice mix of literary celebrity and practical info. My only complaint is that not much seemed geared toward little libraries like ours -- and I know there are a lot of us out there. No doubt that's because little library staffers don't have time to attend ALA conference organizing sessions, or make their name in the field as speakers. But it's worth keeping in mind because I bet a big part of ALA's constituency actually comes from little shops.

There were some big name writers there -- Toni Morrison as the keynote speaker at the opening general session, John Grisham, Junot Diaz, Dennis Lehane. It was interesting to see the difference between librarians as an audience from a purely literary gathering like the Key West Literary Seminar or the Miami Book Fair. Librarians seemed purely appreciative, not needy in the way that literary eventgoers can sometimes be, and I liked that. Naturally all the writers made sure to give props to libraries and librarians.

Some other mostly random observations and quotes:

What is it with the librarians and Second Life? I just don't get it -- and I don't want to and I won't. Maybe it's because I associate it with a particularly unappealing former work colleague but it just strikes me as creepy. Isn't Regular Life enough, or more than enough to keep up with? I suppose this is just how others feel about Facebook but that's cool. No one's forcing you to do any of those things. It just seems like I never hear any references to Second Life ... except from strangely enthusiastic librarians.

"You don't walk into Nordstrom's and say, 'please show me your inventory management system.'" Stephen Abram of Gale, talking about the way we present our online public access catalogs to patrons.

"We are living in a golden age of comics and book design." Audrey Niffenegger, author of "The Time Traveler's Wife," "Her Fearful Symmetry" and the upcoming graphic novel "The Night Bookmobile."

Dennis Lehane said the first nine screenplay adaptations of his novel "Shutter Island" tried to change the story to have a happy ending -- and they all sucked.

The panel called "Isn't It Romantic?" -- which featured six very nice and funny writers of romance novels -- was held in a room that was way too small for the crowd, in stark contrast to other sessions that had much bigger rooms and were half full or less. I think that speaks to the dissing of genre in general and romance in particular (I didn't check out the couple of scifi sessions I saw on the agenda so I don't know if those had similar room assignment/crowd issues). Too bad -- because we know they're popular with readers and obviously with a good section of librarians, too. Speaking of stereotyping, I think I was at the exact median of age, body size and apparel choices in that room -- making me feel both at home and strange, like when I see Swedes whom I've never met and am not related to, but who sort of feel familiar.

And this isn't ALA or library-related at all but if you go to Washington and have limited museum viewing time, I cannot recommend enough visiting the National Portrait Gallery and the Smithsonian American Art Museum. They share the old U.S. Patent Office building and they are both fantastic museums that are also a reasonable size to take in. The Portrait Gallery side, in particular, offers a nice precis of American history at the same time as seeing some cool paintings. And I got to see a genuine painting of Elizabeth I there! (Yes, she's not American but she played a role in early English settlements.) The real thing! The guy who painted that was looking at her! That gets my Tudor geek on, big time.

Of course, if you're interested at all in libraries you will probably visit the Library of Congress -- I'm embarrassed to say this was my first visit there but it was so worth it. What a gorgeous building, and monument, to the mission of libraries and their centrality to our country. And it's a working library, too. The tour was great, with all the cool architectural and artistic details explained and they had a great exhibit called Exploring the Early Americas. Highlighted in this exhibit is a map from the early 1500s by German mapmaker Martin Waldseemüller, for which the Library recently paid $10 million. Why, you might wonder, would our national library pay $10 million for some German map? It turns out this was the map in which Waldseemüller named that big continent to the west after one of the early explorers: Amerigo Vespucci. OK. Now I get it.

To have and to ... whatever

Imagine our delight here at the Key West library when we saw that our inaugural One Island One Book program , featuring Ernest Hemingway's Key West novel To Have and Have Not, had made the pages of American Libraries, one of the premiere professional journals of libraryland! And it was the issue with library god Neil Gaiman on the cover, even. How cool is that! Until ... we turned to page 12 and saw the nice write-up that explained our book of choice was Ernest Hemingway's ... To Have and To Hold. Huh?

Having written for publication for many years I understand how this sort of mistake happens. Once in awhile your brain just takes a little timeout -- and next thing you know, the action of your misfired synapse is set in type. If you're lucky, you have a smart editor whose brain is working better than yours that day and she catches the goof. If not ... it's mortifying. One of my favorite things about blogging is that you can go back and fix these kinds of screw-ups as soon as you, or someone else, notices them.

Unfortunately for the good folks at the American Library Association, and for us, you can't do that with print. So there we are, for eternity, with Hemingway's To Have and To Hold.

By the way, there is a novel with that title in our collection -- we came across it the other day while moving the large print novels. It's by Fern Michaels, the prolific romance writer. It's probably a fine piece of entertainment -- but it's unlikely to be chosen as a One Book One Island title. (And not to be confused with To Have and To Hold by Jane Green, which it looks like we used to have in the collection but no longer do.)