Write Down the Title and Read This Book

The great children's book writer E.L. Konigsburg died over the weekend, a piece of news I barely noticed in all the emotional tumult of the news from Boston. Like millions of other book-loving kids, I loved From the Mixed-Up Files of Mrs. Basil E. Frankweiler -- it described exactly the sort of running away experience I wished I were cool and smart enough to pull off. She won the Newbery Medal for that book and again in 1997 for The View from Saturday. But the book of hers that I love the most -- and recommend to readers both young and not-so-much to this day -- is A Proud Taste for Scarlet and Miniver. I am so very glad it is in the collection of the library where I work so I can read it again every couple of years. The only bad thing I have to say about this book is that its title is impossible to remember. And I still don't even know what miniver is. How Konigsburg got away with her long and obscure titles beats me (her first book is called Jennifer, Hecate, MacBeth, William McKinley and me, Elizabeth). It must have been before marketing departments had much sway in publishing houses.

But write the title down and get hold of this book if you have the slightest interest in history, medieval history, women's history any of that. This is the story of Eleanor of Acquitaine. And what a premise -- it is recounted by Eleanor herself, along with several people she knew during various periods of her life. They're in heaven, waiting to see if her second husband, Henry II of England, will be allowed out of purgatory to join them. It was the origin of my lifelong fascination with Eleanor -- any woman who had been Queen of France, then run away with a younger man to become Queen of England -- had my attention. Her other adventures along the way -- like joining her first husband on a Crusade, or joining her sons in rebellion against her second husband -- just added to the allure. Plus all that cool medieval stuff. It's just brilliant.

Old and new favorites

Great thing about working in a library: I spend a lot of time working with books -- checking them out to patrons, shelving them, scouting reviews, getting advanced copies. One small downside: I almost never browse for a book any more, or am caught by surprise by a new title from a favorite author.

Recently, though, I came across a couple historical novels -- one by Tracy Chevalier, whom I like a lot, and one a first novel that appeared on our New Books shelf without my having read any advanced press.

The Last Runaway is Tracy Chevalier's first book set in the U.S. so I'll admit I was dubious at first. But the lead character drew me in from the first (not only because I sympathized with her seasickness as she crossed the Atlantic from England to America in the 19th century and realized the voyage was so traumatizing that she could never cross again). It's set in a Quaker community in Ohio before the Civil War -- so the Underground Railroad was active as slaves made their way to Canada. The Quaker community, while opposing slavery in general, is divided in how far they should go in helping runaways even as the Fugitive Slave Act increased the pressure on them to help those trying to recapture the runaways.

Chevalier is best known for Girl With A Pearl Earring but my favorite of hers remains The Lady and the Unicorn (I'm the medieval-adoring geek who will go see those tapestries over and over again). I also liked Burning Bright, her book set around William Blake, and Remarkable Creatures, about English women who were fossil hunters in the 19th century.

The new book was Accidents of Providence by Stacia Brown, a first novel set in 17th century England -- a period that is neglected compared to the overpowering Tudors but offers a rich landscape as the country went through Civil War and conflict over religion and political structures that divided families, classes and communities. The story revolves around the fate of an unmarried woman who bears a child and buries its corpse -- requiring the state to charge her with murder, whether the child was stillborn or not.

The jacket copy says Brown wrote this book using material from her dissertation on martyrs in 17th century England. I hope we'll see more fiction from her, and hope the book is successful enough to inspire others to write about this period in English history.

Another newish historical novel I read recently didn't spring on me unawares as the previous two but it's well worth a read, especially if you like historical crime fiction and are looking for something on American shores. The Gods of Gotham by Lyndsay Faye is set in 1840s New York, as the city is recovering from a catastrophic fire and establishing its first real police force. Another major factor is the increase in Irish immigration -- viewed as a Catholic invasion by some Protestant residents -- that is about to be increased manyfold by the potato famine. I first gave this book a try months ago and I'll admit I was turned back by the language -- Faye has goen to great lengths to use the terms of the time but it felt forced on my initial attempt. For some reason, on my second attempt, it won me over and I was soon enthralled. If you liked Caleb Carr's early novels, this would be a good one to try. Also recommended for people like me, who are tired of waiting for C.J. Sansom to get back to Shardlake or Ruth Downie to tell us what the medicus has been up to lately in Roman Britain.

Key West Literary Seminar: Session 1 download

Session 1 of this year's Key West Literary Seminar wrapped up yesterday. If you missed it, I suspect recordings will be showing up soonish on the Seminar's audio archive site. And we're getting particularly good coverage this year on Littoral, the Seminar blog and from WLRN, the public radio station in Miami. If you're Twitter-inclined, check out the hashtag #kwls -- you'll even see eminences like Judy Blume and James Gleick chiming in along with us lesser mortals in the audience. This year is not as Twitterific as last but we don't have William Gibson and Margaret Atwood with us (though Gibson is scheduled to return next year -- don't wait too long to sign up for 2014's Seminar, The Dark Side, because it's selling fast). As has quickly become tradition, Jason Rowan is back making custom-crafted cocktails, tailored to the year's theme. Keep an eye on his blog, Embury Cocktails, for recipes and more information in the near future.

Phyllis Rose opened with a wonderful keynote address Thursday night, examining John Hersey (for whom the Thursday event is named) as a lens through which to view the whole writer vs. person question. Is the man Key Westers saw riding his bike around the island the same person who wrote "Hiroshima" and "A Bell for Adano"? The answer is, of course, no and yes. Rose was also refreshingly dismissive about the overwhelming adoption of deconstruction and other French-influenced critical approaches toward literature, which tortured those of us who were English majors in the latter part of the 20th century and dared to think that writers' lives and times might influence their work. For literary scholars who didn't feel like sacrificing themselves on the altars of Derrida and Foucault, literary biography became "a welcome oasis during the desert years of deconstruction," Rose said. "Writers about writers were rescued by readers who wanted to know about writers' lives."

A sporadic sample from the rest of the weekend:

From Judith Thurman, biographer of Isak Dinesen and Colette and staff writer for The New Yorker:

• "Fiction is high-minded betrayal and biography is dirty-minded fidelity."
• One of Thurman's early jobs was translating pornographic movies. "It's freelance work that I heartily recommend because it's easy -- you just have to understand the words 'Yes.... yes!' and 'More!'"
• Translation is "yoga for the mind and for the ear."
• "One definition of the truth is that which is untranslatable."

From Brenda Wineapple, biographer of Nathaniel Hawthorne and Gertrude and Leo Stein, author of a book about Emily Dickinson and Thomas Wentworth Higginson:

• On her subjects: "I prefer them deader and deader."
• Emily Dickinson is "the elusive subject par excellence."
• Oscar Wilde quote: "Biography adds new terror to death."

Most amazing fact learned at this year's Seminar (so far):

• Bram Stoker based the character of Dracula on Walt Whitman (amazing fact supplier: Mark Doty). Edmund White followed this with a comment on why vampire is so often code for gay in literature: "You meet someone, you kiss them and you turn them into you."

More from Edmund White, biographer of Genet and Proust, literary critic and author of a biographical novel on Stephen Crane:

• "Politics and literature are opposites. Politics are all lying and literature is all truth-telling."
• "Having come out when I was 12, I've always wondered what it would be like to be closeted."
• On fiction vs. nonfiction: "The contract with the reader is entirely different." That's why he calls the books about his life autobiographical novels, not memoirs. "Once they're called novels, you're free to do whatever you want."

From Jay Parini, biographer of William Faulkner, Robert Frost and John Steinbeck and author of biographical novels on Melville and Tolstoy:

• Leon Edel's five-volume biography of Henry James is "better than Xanax" as a treatment for insomnia. "He's the Xanax of all writers."
• On the difference between writing biographies of Jesus (his most recent subject) and Gore Vidal (his next subject): "At least Jesus didn't think he was Gore Vidal."
• "Biography is a form of fiction. .... I love to read biographies, even bad ones."
• In writing biography, "you're not presenting a life. You've giving an illusion of a life."
• To Edmund White: "I read your biography of Genet. I thought it was a great novel."

Literary subjects that KWLS panelists attempted as grade-schoolers:

• Phyllis Rose: Eleanor Roosevelt, after her mother rejected her earlier choice of the Duchess of Windsor as a suitable subject for an assignment to write about "an admirable woman."
• Edmund White: Peter the Great. "I was absolutely power-mad as a child."
• Brenda Wineapple, at 10 years old, wrote the first chapter of a novel and gave it to her father, whose response was "But there's no plot here." Wineapple: "My career as a novelist was over."

Books I have purchased (so far):

• The Master by Colm Toibin
• Promised Land: Thirteen Books That Changed America by Jay Parini
• Footsteps: Adventures of a Romantic Biographer by Richard Holmes, who isn't at the Seminar but the book was mentioned several times

If all of this makes you eager to sign up for Session 2, it's not too late. It all starts again Thursday night with a keynote I'm really looking forward to: Colm Toibin talking about Elizabeth Bishop. That's Toibin in the photo, by the way, speaking at the podium that Cayman Smith-Martin and his crew built from books they got from us here at the library -- they were otherwise destined for the recycling plant so it's great to see them serving literature one last time.

The inevitable end-of-year best list

My list of best books I read this year is composed of books that were published this year, at least in fiction. That's not usually the case, but I think it's part of the deal with working at a library (and getting ever-increasing access to advanced review copies, both in print and digitally).

Fiction:

This year for me, fictionally, was all about the sequels. Like everyone else I adored Bring Up the Bodies, Hilary Mantel's Booker Prize-winning follow-up to her Booker Prize-winning Wolf Hall. If you can't get enough of the Tudor era, having a fine novelist at the top of her form inhabit that era -- from a previously underrepresented viewpoint, that of Henry VIII's minister Thomas Cromwell -- is literary nirvana.

Also in Tudor-land but with a contemporary, and paranormal, perspective was Shadow of Night by Deborah Harkness, sequel to her blockbuster A Discovery of Witches. In this book, the protagonists travel back to the time of Elizabeth I in search of answers about their history, their destiny and the powers of academic scholar and reluctant witch Diana Bishop. The best shorthand description I can come up with for these books is Harry Potter for Grownups.

I also loved Crucible of Gold, the seventh entry in Naomi Novik's Temeraire series Napoleonic Wars -- with dragons! No honestly, it's awesome -- of course thanks to George R.R. Martin and HBO dragons have a little more cultural cache than when I first started raving about this series. To be perfectly honest, the last couple entries weren't as engaging as the first three, but I was invested enough in the series to keep going and I'm so glad I did.  The newest book is definitely back on track. Here's hoping she keeps going with this story as long as Patrick O'Brian did with his Aubrey-Maturin series.

Nonfiction:

I'm going to go with the collected works of Rick Geary, who does historical true crime in graphic format under the rubric A Treasury of Victorian Murder and A Treasure of 20th Century Murder. I read a bunch of them this year and I can't pick a favorite. They're all fantastic.

I also loved Out of Sheer Rage by Geoff Dyer, his memoir/meditation on not really getting down to writing a critical study of D.H. Lawrence, though the book does include many interesting considerations of Lawrence as Dyer checks out various Lawrence hangouts. Dyer will be here for the Key West Literary Seminar next month (both sessions!) and I am simultaneously dying to hear him in person and terrified to hear what he'll have to say about Key West. He is hysterically, viciously funny on the less appealing characteristics of various tourist towns he visits in Out of Sheer Rage so I'm guessing we'll be in for it from him, sooner or later.

Honorable mentions:

People Who Eat Darkness by Richard Lloyd Parry -- Contemporary true crime done extremely well, with nuance and compassion. Blessedly free of sensationalism and righteousness.

Live By Night by Dennis Lehane -- Another sequel of sorts, a follow up to The Given Day and even better, in my opinion. Set in Boston and Tampa during Prohibition. Fans of Boardwalk Empire should check it out.

Gone Girl by Gillian Flynn -- The bestseller that keeps on going -- and for good reason. I gulped this one down in just a couple sittings.

The Twelve by Justin Cronin -- Yes, yet another sequel, this one to the post-viral-vampire-apocalyptic The Passage. He jumps around in time and wields a huge cast of characters and you manage to stay with him. As with Mantel and Harkness, I'm now trying not to count the days until the final installment in the trilogy.

I can't get enough of end-of-the year best lists. If you're like me you can't do better than this source, a blog by Large-hearted Boy. In the individual list category, I loved this one. And I appreciate the large-mindedness of NPR in their different categories. They even acknowledge that smart people read romance!

Time to get reading some Writers on Writers

I love this time of year for a few reasons. Holiday decorations in Key West are fun and appear to be getting more fun every year. I love the best of the year book lists that come out around now, to compare my own reading and to get ideas for books I might have missed. And I love the annual library display of books by writers appearing at the upcoming Key West Literary Seminar.  The theme this time is Writers on Writers and the works encompass straight-up biography, meditative memoir and novels with real writers as fictional characters. Lots more detail, including the writers appearing and the schedules for both sessions, is available on the Seminar website. You can still register! The books by this year's authors include some serious -- as in long and demanding attention -- books. But don't let that discourage you. While you may not be up for wading through a magisterial Literary Biography, especially during the distractions of the holiday season, there are plenty of other books that you may find surprisingly entertaining, as well as edifying.

We've just put up a display of books by Seminar writers at the Key West Library so if you're in town stop by and check it out (the display is in the Reference Department, turned over the summer into a more open reading room if you haven't been in recently).

As usual, I haven't read every single writer who will be appearing at the Seminar. But I have read enough to make some recommendations, especially for those who might feel apprehensive about this year's theme. My top choice is one of my all-time favorite nonfiction books: Parallel Lives by Phyllis Rose. I love this book so much I've bought it, given it to a friend, then bought myself another copy because I had to know it was available. We have it in the library, both in hard copy and as an ebook. Rose, a part-time Key West resident, writes about the marriages of five Victorian writers (or four marriages and one long-term cohabitation, that of George Eliot and George Henry Lewes). It's got the satisfactions of high-toned literary gossip -- most of these matches were, in some way, disastrous -- but also offers the chance to reflect on what it means for personal, domestic life when one partner is an artist, as well as the dynamics between men and women, both between individuals and within a context very different from our own.

The most difficult title to categorize but one of the best books I read this year is Geoff Dyer's memoir/meditation on D.H. Lawrence, Out of Sheer Rage. It's funny. It's thought-provoking. It's comforting, if you're prone to procrastination. I wrote a whole blog post about it a few months ago. It's very difficult to describe but it's intelligent and entertaining. And you should be able to read it a whole lot faster than I did, assuming you're not moving house after 14 years of accumulating stuff.

Some other nonfiction titles I can wholeheartedly recommend: Jane's Fame by Claire Harman -- if you're a fan of Jane Austen on print and screen, this is an interesting examination of why her five novels have retained such a high profile in our cultural lives. New Ways to Kill Your Mother by Colm Toibin, an essay collection about writers and their families. Especially insightful about Irish writers, not surprisingly, though the last couple sections on James Baldwin are masterful. Judith Thurman's biographies of Colette and Isak Dinesen are interesting and extremely readable (there's a reason she's a staff writer for The New  Yorker). Her essays on artists and writers are collected in Cleopatra's Nose. As someone who grew up in and around Amherst, I'm always interested to hear more about Emily Dickinson so I can't wait to see Lyndall Gordon, author of Lives Like Loaded Guns (yes, that's a Dickinson biography), as well as biographies of Virginia Woolf, T.S. Eliot and Charlotte Bronte.

I'm looking forward to the discussions about writing about writers in fiction and there's a great selection there, too: Flannery O'Connor (A Good Hard Look by Ann Napolitano), Sylvia Plath (Wintering by Kate Moses), Stephen Crane (Hotel de Dream by Edmund White), Edith Wharton (The Age of Desire by Jennie Fields). Jay Parini, who will be at the Seminar has written novels about Leo Tolstoy (The Last Station) and Herman Melville (The Passages of H.M.).