The Over-Sea Railroad: You can no longer ridealong but you can still readalong

Exactly 100 years ago, Key West was in a tizzy, getting ready for the arrival of the First Train. On Jan. 22, 2012, the train would arrive bearing oil tycoon-turned-railroad magnate Henry Flagler and marking the completion of the Over-Sea Railroad. These days, we're in a bit of a tizzy ourselves, getting ready to commemorate the Centennial of that event -- a major one by the standards of any small town and, you could argue, in the history of Florida and the nation. It was certainly a remarkable achievement, crossing mangrove swamps and open water. Crews endured hurricanes, mosquitos and the relentless humidity of the subtropics -- without the modern comforts we take for granted now.

Lots of events are planned to mark the Centennial -- more information is available at the official Centennial committee's website. At the Key West Library, we're celebrating with our One Island One Book program. This year we're reading Last Train to Paradise by Les Standiford, which tells the story of the construction of the Over-Sea Railroad -- and its destruction, barely two decades later, when the Upper Keys were hit by one of the strongest hurricanes ever to strike the continental U.S.

Most of our One Island One Book events don't start until mid-February -- Standiford will be speaking at the Library on Monday, Feb. 27. But one event is starting in the next few days: our first every online readalong. What does that mean? It means  you read about 50 pages a week of the book (there's a reading schedule on the blog), and comment about it at the blog. We'll start things out with some comments and questions but this isn't a class and our posts are not a syllabus -- everyone is welcome to chime in on whatever aspect they like, from wherever they are. So if you're curious about the railroad and feel like learning some more -- and interacting with others who are doing the same, please join in.

Some of you, especially those familiar with the Keys, may have noticed that the image above does not show Key West. It's Pigeon Key, the island in the bend of the Old Seven Mile Bridge (and one the best places these days to get a feel for how things were back in the railroad days). Even though it's not Key West, this is one of my favorite images of the railroad, probably because of the human element introduced by the kids waving below. And it comes from the library's spectacular collection of historic images that have been scanned and placed online for open public access -- including a collection of 700 images about the Over-Sea Railroad. Many of the library's images, incidentally, were used for a beautiful new Centennial edition of Last Train to Paradise, published by Books & Books and the Flagler Museum.

Besties forever

I am unable to resist best book lists of almost any form so I've been keeping an eye on the usual end of the year productions. I'm not as into it as some others, like the blogger Largehearted Boy, who amasses a giant list of best lists, or the librarian/bloggers at the Williamsburg Public Library, who take all those lists and turn them into one mega-list (though that list is broken into different categories, mostly for fiction). Mostly, I keep an eye out for the lists compiled by the sources I rely on most for book reviews -- The New York Times and Salon (which has separate lists for fiction and nonfiction). But I have to admit this year my favorite list came from Lev Grossman at Time magazine (which also had separate fiction and nonfiction lists). Perhaps it's Grossman's unapologetic appreciation of genre fiction -- which was an awful lot of my fiction reading this year. Or, in a related angle, it's his noticing books that are not the usual suspects -- two graphic novels (The Death-Ray and Hark! A Vagrant!) became Christmas gifts in my house this year after I saw them on the list.

My best list consists of books I read this year, whenever they were published -- though a large number were indeed new this year (one of the many benefits of working at a library is access to advanced review copies and awareness of newly published works). I chose my favorites with flat-out enjoyment as my only criterion, realizing that many factors go into that.

Fiction: A Song of Ice & Fire, books 1-3, George R.R. Martin (That's A Game of Thrones, A Clash of Kings and A Storm of Swords)

Nonfiction: Rin Tin Tin, Susan Orlean.

Why the George R.R. Martin? As so many others already knew, and millions more of us have discovered since HBO started airing the screen adaptation, this is an amazing world Martin has created, full of compelling characters and apparently endless plot possibilities. I've only read the first three books because 1) I'm waiting for a co-worker to finish Book 3 so we can talk about them as we read them and 2) I don't want to catch up to Martin too soon then become of those disgruntled fans who hates him because he's taking so long writing his next book. Grossman has an excellent explanation for why he chose Martin's latest book, A Dance With Dragons, in this Salon compilation of writers naming their favorite books of the year. In case you don't feel like scrolling through 50 writers, here's the meat of Grossman's case:

As for craft: Yeah, on the level of sentence, you couldn’t stack “A Dance With Dragons” up against Jeffrey Eugenides’ “The Marriage Plot,” or Alan Hollinghurst’s “The Stranger’s Child.” But as a plotter, an orchestrator and pacer of narratives that weave around and resonate with each other, Martin leaves them far, far behind. Is that important? Maybe not to the people who give out Pulitzers. But it’s important to me. It’s why “A Dance With Dragons” is the best book I read this year.

If I were to name the best literary nonfiction I read this year, I'd go with Birds of Paradise by Diana Abu-Jaber, followed by The Leftovers by Tom Perrotta. Outside of those, my top five were all genre: A Surfeit of Guns, by P.F. Chisholm, part of her entertaining Sir Robert Carey series and The Anatomy of Ghosts by Andrew Taylor, another historical crime novel. Honorable mentions to Heartstone by C.J. Sansom, the latest in his keeps-getting-better Matthew Shardlake series (soon to be on screen portrayed by Kenneth Branagh!) and The Rebellion of Jane Clarke, the latest but I hope not the last of Sally Gunning's novels set in pre-Revolutionary Massachusetts.

As for nonfiction, I read a lot of good ones this year. Really good books, written by smart people who neither talked down to their readers nor preached to the academic choir. But my favorite came out of journalism: Rin Tin Tin by New Yorker writer Susan Orlean. I'm a dog person for sure, but I am not a big consumer of dog books. I wouldn't even call this a dog book. It's a book about 20th century America, and about how an image can influence a culture. And it's a story about the incredible bond between a lonely man and the puppy he rescued on a World War I battlefield. Many twists and turns, with several side trips into related but separate storylines -- yet Orlean keeps it all together and keeps it moving and coherent. Brilliantly done.

The rest of my top five in nonfiction, in no particular order: Destiny of the Republic by Candice Millard (who knew James Garfield was such a good guy? Certainly not me). She-Wolves by Helen Castor, about the women who ruled, or tried to rule England before Mary. The Swerve by Stephen Greenblatt, about the rediscovery of On the Nature of Things by Lucretius and how that poem helped usher in the modern world. The Magician's Book by Laura Miller -- my favorite kind of literary writing, where she tells the story of the book and of the book's impact on the culture in general and on her, as a reader, in particular. If you were a Narnia kid, and I was, this book feels like it was written just for you. Honorable mentions to Robert K. Massie's Catherine the Great and Iphigenia in Forest Hills by Janet Malcolm.

With the holiday boost in ereader sales, I expect we will be seeing even more of the essays predicting the death of literature, of reading, of writing, of culture, of life as we know it. Perhaps I am fooling myself, like a newspaper journalist circa 1998, but I don't think so. The modes are changing, the economics are changing and who gets published and what sells may change. But people appear to have a thirst for narrative, for stories in the form of the written word, that is spurring the production of plenty of good (and lots of terrible) books that are now available in all kinds of forms. It's certainly an unnerving time to be a publisher, or an aspiring writer, or, in some ways, a librarian. But as a reader I feel confident that the well is nowhere near running dry. On to 2012!

The future approaches ...

Most people are probably feeling the holidays bearing down on them. I've got some of that but mostly what I feel bearing down on me is the 2012 Key West Literary Seminar -- which will be quite early in the year (starting Jan. 5!) -- and which, this year, features an even-more-astounding-than-usual lineup of writers. Atwood. Gibson. Letham. Egan. Shteyngart. Whitehead. Coupland. I could go on. The title is Yet Another World, the subject is dystopia (sort of). Or at least visions of the near future. Unfortunately for anyone who would like to shell out $600 and attend this year's Seminar it is beyond sold out. The waiting list has a couple hundred people on it. So if you don't have a ticket, there's no hope. Except ...

There are multiple ways to participate in the Literary Seminar even if you can't get a ticket. For example:

* Read the books. This is the most important way to participate -- and at the Key West Library we have a helpful display of the books by Seminar authors, right when you walk in the door. Books by Literary Seminar authors, by the way, are the focus of our Book Bites Book Club in January. Meeting is Jan. 12 at 4:30 p.m. So read along, then come and talk about the books!

* Attend the free Sunday session. That's right -- free and open to the public. Every year, the Seminar offers up this opportunity to the community. If you scroll down to the bottom of the Seminar schedule, you'll see the lineup for that session and it's impressive: Billy Collins! Margaret Atwood! George Saunders! Gary Shteyngart!

* If you're of the tweeting persuasion, follow along on Twitter, by following @keywestliterary and their list of Seminar authors who tweet. Once we get closer and into the Seminar, start looking for the hashtag #yetanotherworld. I'll be using it (I'm @keywestnan) and no doubt others will too, hopefully including super-tweeters William Gibson (@greatdismal) and Margaret Atwood (@margaretatwood). Program chair -- and esteemed writer in his own right -- James Gleick -- is at @jamesgleick.

* Keep an eye on Littoral, the Seminar's excellent blog, as well as the Audio Archives, where some of the Seminar sessions should eventually make it online and be preserved forever in what William Gibson called cyberspace, back in 1984. That's right, I'm finally reading Neuromancer. Which is great though I am starting to suspect I am not really smart enough to read William Gibson.

Teaser Tuesdays: The Swerve by Stephen Greenblatt

Nonfiction a-go-go continues: Now into The Swerve by Stephen Greenblatt, about the Renaissance rediscovery of Lucretius' poem "On the Nature of Things." I had requested it from the library even before it won the National Book Award for nonfiction. I'm only 50 pages in and I haven't hit real traction but that's not the book's fault -- it's more readable than I had thought, even. So here's the teaser (the rule is two sentences from a random page, post the link in the comments section of the Should Be Reading blog. Or if you don't have a blog, you can just post your teaser in the comments):

"Despite the vigorous efforts that Thomas More made, during his time as chancellor, to establish one, England had no Inquisition. Though it was still quite possible to get into serious trouble for unguarded speech, Bruno may have felt more at liberty to speak his mind, or, in this case, to indulge in raucous, wildly subversive laughter." (p. 236)

Teaser Tuesdays: The Leftovers by Tom Perotta

I gave up on The Victorians by A.N. Wilson yesterday and turned to some newly published fiction -- Tom Perotta's The Leftovers. As I expected, his engaging style had me humming along in no time -- 116 pages in without realizing it. The novel, in case you haven't read the reviews, takes place about three years after a Rapture-like event in which millions of people are taken up. Actually they simply disappear, without regard to religious affiliation or devotion level. The titular leftovers are those left behind and they cope in a variety of ways.

"Laurie wanted to do her part for the G.R. [Guilty Remnant], she really did. But the thought of walking over there, ringing the doorbell, and asking Kevin for half of everything she'd turned her back on filled her with shame."

Want to play along? Post your own teaser on your blog and then link to it int he comments section of Should Be Reading. Don't have a blog? You can just post the teaser in the comments.

*10/29 update: Finished the book, liked it a lot, wrote a recommendation for the Staff Favorites section of the Library's website, which you can read here.